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Basilica di S. Donato - Murano
Dating back to the 12th century, this church has now been completely restored to all its ancient splendour. While the foundation dates back to the 12th century, its first restoration, when the floor was completed, dates back to the year 1100 AD. The richly decorated apse and the Byzantine mosaic on the vault and the spellbinding mosaic on the church floor are particularly beautiful. Mass is held daily at 8a, 9:30a, 11a, and 6p. On sundays, mass is held at 6p.
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Basilica di S. Maria Assunta - Torcello
This church dates back to the year 1000 and includes elements from 400 years earlier. The beautiful ambo on the left comprises of certain parts of the original sixth-century church. The luminosity of the mosaics that adorn the apse and, above all, the image of 'The Last Judgement' on the west wall (which is rumoured to be a reconstruction) are incredible. Mass is held everyday at 9:30a and 4:30p.
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Basilica di S. Maria della Salute
Designed by 20-year-old Longhena, this church is a masterpiece of 17th-century architecture. The dominating feature is its octagonal dome, which contains a lantern showing an image of the Madonna; while the smaller dome has a statue of San Marco. The interior consists of a nave, three chapels and a floor made of multicoloured marble with a design of five roses in the centre. The magnificent altar, also designed by Longhena, is particularly ornate. To its right is Tintoretto's 'Le Nozze di Cana', whilst the ceiling of the vestry is adorned with paintings by Tiziano. Mass is held daily at 9a and 11a.
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Basilica di S. Maria Gloriosa dei Frari
Built in the middle of the 13th century, this church was extended and grew until the 16th century. The church houses paintings by Tiziano, such as 'l'Assunta' and 'La Madonna di ca' Pesaro'. In the side chapel, you'll find Bellini's 'Madonna in Trono'. It also contains the tombs of Tiziano, Canova, Monteverdi, and Francesco Foscari. In spite of it's many historical and artistic treasures, the church's large dimensions make it seem empty. Service is held daily at 9a, 10:30a, noon, and 6:30p. On sunday, mass is held at 6:30p.
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Basilica di S.M. Assunta di Torcello - Campanile
This is the oldest cathedral of the lagoon, and evidence of the first settlement here. It was built in 639, but has undergone restoration and modification in the 9th, 11th and 14th centuries. The interior is enriched by splendid decorations, with particularly striking mosaics, which were probably made by mosaic makers from Ravenna. The bell tower, which was built in the 11th century, can only be visited by appointment. The view that can be enjoyed from the top is well worth the climb.
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Basilica di San Marco
Started in the 9th century, this church's architecture shows an eastern and Byzantine influence: note the golden altarpiece and the 13th- and 14th-century mosaics that illustrate the cycles of the Bible. The magnificent domes date from the 12th century. The Basilica houses the Marciano Museum, which contains the original bronze horses, copies of which are now on the terrace. Appreciation of the architecture is available 24 hours daily; the church is open for mass and touring visitors to appreciate daily.
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Basilica di San Marco - Campanile
You get a splendid view from the tallest bell tower in Venice. It can be seen from the lagoon, and once you have reached the top, the whole lagoon can be seen from above. Even though the tower was erected at the beginning of the 20th century, it is an exact replica of the 15th-century bell tower. In 1609, Galileo Galilei exhibited his telescope here, and during the carnival, the bell tower used to serve as a stage for the tight rope-walkers who entertained the doge with their acrobatics.
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Basilica di San Marco - Pala d'Oro e Tesoro
It is not known for certain who made the mid-14th-century Golden Altar Piece. It is a masterpiece of engraving that uses Byzantine ancient enamels, which originate from the pillage of Byzantium in 1204. The Treasure of San Marco should not be missed. A large part was melted down to mint money, but what remains can satisfy the curiosity of even the most demanding visitor, from an artistic and historic point of view. It can be accessed directly from the basilica. Admission is EUR1.5.
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Basilica di SS. Giovanni e Paolo
Construction of this church started at the end of the 14th century by the Dominican friars. It was completed at the beginning of the 15th century. The remains of 25 chief magistrates are buried here. The sepulchral monuments are in the care of the Lombardi family. The monuments of Nicolo Marcello, Pietro Lombardo and Pietro Mocenigo are masterpieces by the same sculptor, whose works occupy the whole left side of the entrance. Also impressive is the monument erected in the honor of Andrea Vendramin, and the paintings by Veronese and Piazzetta.Mass is held at 8:30a, 10:30a, noon, and 6:30p. On saturdays, mass is held at 6:30p.
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Basilica San Marco - Galleria
The Galleria of the San Marco Basilica exhibits different works of art, tapestries and documents about the history of the Basilica. The highlights of the collection are the bronze horses, copies of which are displayed on the outside terrace. The date of these is a matter of some dispute, with opinions ranging from the 3rd century B.C. to the 4th century A.D. They were stolen by Napoleon and brought to Italy where they were restored in the 1970's. Call for admission details.
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Biblioteca Nazionale Marciana
Started in 1468 from Cardinal Bessarione's collection, this museum houses Venice's most important book collection, which includes manuscripts, miniatures and texts. The first example of Classical architecture in Venice, the building contains an abundance of sculptures, which are inspired by classic mythology. It's also home to many works by important Venetian artists. It is arranged over two floors, which are linked by a staircase that is reminiscent of the Golden Staircase in the Ducal Palace.
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Burano
In this little town located on an island of the Venetian lagoon, the houses are painted in varied bright colours, giving a picturesque and cheerful character to the setting, which kids always love. Burano is famous for its lacemaking, a skill that has developed here since the 16th century; various shops offer lacemaking demonstrations. To admire more of this craft, head to the Scuola di Merletti which has a museum displaying all kinds of amazing lacework: tablecloths, fans, collars and shawls.
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Ca' d'Oro
The Ca' d'Oro is one of the most beautiful private houses on the Canale Grande. It's not open to the public but you can take a gondola or vaporetto and view it from the water. The house has been beautifully and expertly restored. The Franchetti gallery contains some real masterpieces, including Tiziano's Venus, Carpaccio's Annunciation and Mantegna's Saint Sebastian.
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Campo dei Mori
Situated just feet from the Madonna dell-Orto church, the area is a long and narrow open square, shaped like a trumpet, with one of Venice?s many bridges at one end. The sides of the narrow area are lined with homes on which visitors can find four sculptures of Moors, which give the campo its name.
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Campo San Barnaba
Although the small church of San Barnaba in this square has a "Holy Family" depiction attributed to Paolo Veronese, a 14th-century belltower, and a Tiepolo-style ceiling, it is more often associated with fact that newly-impoverished members of the aristocracy lived here in state-provided apartments during the Republic's declining years. The church has also gained a more recent distinction when it appeared--albeit as a library--in the film "Indiana Jones and the Last Crusade." Ideally located, the San Barnaba square is right off the Ca' Rezzonico stop, between the Accademia/San Trovaso area and Campo San Margherita.
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Campo San Bartolomeo
This is a busy campo that's effectively the intersection of all foot traffic from Piazza San Marco, Rialto, Cannaregio from Santi Apostoli and that from Santo Stefano and Campo Manin. It is known as a meeting point for inhabitants and foreigners alike.
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Campo San Giacomo dell'Orio
This large, gracious campo is one of the few in Venice where you'll find trees, shade, benches, and a water fountain, perfect for taking a short break, or a book to read for the entire afternoon. The church of the same name is certainly worth a visit as well.
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Campo San Polo
The large campo, or square, that marks the approximate half-way point between the Rialto Market and Campo San Margherita. Once the site of Venetian festivals and official celebrations, these days it's also the scene of an outdoor cinema festival, screening films of every type, from every country, and era.
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Campo Santa Margherita
Large, bustling campo with produce and fish markets, a multitude of pizzerias, bars and cafes. Lively during the day, as well as late into the night...but never dangerous.
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Campo Santa Maria Formosa
This campo is always busy and bustling, and has a more residential feel than most. There are open air markets and a newsstand, a cafe or two, and benches for taking a break, or just people watching.
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Campo Santi Apostoli
The Campo Santi Apostoli has not changed much since the 18th century, and sightseers today can still come peruse its beautiful 16th century chapel, a couple of scuolas, and the palace of Doge Marino Falier, all located nearby. The campo is a bustling square and crossroads for some of the main roads in Venice, making it also a great start for a wandering tour on foot through the city. There are plenty of vacation apartments for rent here as well, so a longer stay could allow you to stay right in the heart of Venice.
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Campo Santo Stefano (Francesco Morosini )
Named for the Gothic church found nearby, Campo Santo Stefano is a great location to find apartments for rent in a convenient location--whether you're on a weeklong honeymoon or an extended business trip. Historically, the "Corsa al Toro" bullfights used to be staged here, until the stands collapsed in 1802. In addition to all the usual marbles, columns, and facades, there is a huge plaque to Doge Morosini, who is best known as the man responsible for blowing up the Parthenon. This square is also the second largest in Venice, after Piazza San Marco, and is lined with small cafes and shops. Be sure to stop at Paolin, famous world-wide for it's pistachio ice cream.
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Canal Grande
Literally a street of water, the Grand Canal allows local traders and tourists to journey through Venice?s rich history and many of it?s most celebrated monuments. One can travel on gondola or larger vessels and glimpse, from a unique vantage, such sites as the Natural History Museum and the Palazzo Pesaro, while also traveling under some of Venice?s most famous and recognizable bridges like the Rialto Bridge and the Ponte dell-Accademia.
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Casa di Goldoni (Ca' Centani)
This building is a prime example of Venetian Gothic style, and houses a modern, interactive museum and exhibition space that combines both traditional and high-tech means to display original works, art and documents from Goldoni's theatrical collection, including a puppet theatre. Suitable for visits by individuals and groups.
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Chiesa degli Scalzi
The Chiesa degli Scalzi, or ?Church of the Barefoot Ones,? is named after the Barefoot Carmelites monks who have made this church their home for more than three centuries. Built between 1660 and the early 18th Century, the church stands as one of Venice?s most beautifully and ornately designed churches, with a grand façade designed by Giuseppe Sardi.
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Chiesa dei Carmini
This church, started in the 14th century, is situated in the Campo Santa Margherita area, not far from Piazza Roma and the university. At present, like many long established Venetian structures, it has a 16th-century facade, a 14th-century Gothic one, and an interior of the same peculiar mix. Paintings by Lorenzo Lotto and Cima da Conegliano adorn the walls.
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Chiesa dei Gesuati o Santa Maria del Rosario
This 18th century church was built with the co-operation and the imagination of Massari, Morlaiter and Tiepolo. The interior is very bright and has only one Nave, with three chapels and sculptures by Morlaiter and a unique harmony between the architecture, sculpture, painting and wooden furniture. Beside the third altar is Tintoretto's 'Crocifissione', and in the first altar Tiepolo's 'Tre Sante'. The ceiling is divided into three parts and decorated with paintings by Tiepolo. They represent the life of San Domenico and the Institution of the Rosario. Mass: 8a, 10a, noon and 6:30p Sunday.
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Chiesa dei Gesuiti
Also known as S. Maria Assunta, this church was completed in 1729 to house Jesuit Monks. Once travelers walk through the late-baroque façade, they enter a uniquely designed interior of stucco decorations, the work of Demenico Rossi. In addition, the church features rich display of paintings and sculptures, including Titian?s ?The Martyrdom of St. Lawrence? in the first altar.
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Chiesa del SS. Redentore
Planned by A Palladio, this church was built between 1570 and 1580. In 1576, a deadly plague spread among the population. The doge then dedicated this church to the Redeemer, in return for mercy on his people. This may also explain the vast length of the church, leading to the altar. The statue of Faith rising above the façade can only be seen from the canals. During religious festivals, the church is joined to the opposite side of the Giudecca canal with a bridge of boats. Mass is held at 10a and 6:30p on sundays; and at 6:30p on saturdays and holidays.
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Chiesa dell'Angelo Raffaele
Reconstructed in 1618 by Contino. Guardi's masterpiece, the story of Tobias and his guardian angel Raffaele is recounted over the organ loft, and their sculptures are in the niche over the entrance portal.
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Chiesa di S. Giorgio Maggiore
The only building on the San Giorgio Maggiore island, this church was built in 1566 AD. It is built inside a Benedictine monastery (that was erected in 1000 AD) in accordance with a plan by Andrea Palladio. The bright interior is covered with paintings by Carpaccio and Tintoretto, such as 'L'ultima Cena' and the 'Raccolta della Manna'. From the bell tower, there is a magnificent view of San Marco. Mass (with Gregorian chants) is held every sunday at 11a.
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Chiesa di S. Stefano
Built by the Hermits in the 13th century, this church has been restored several times; the present appearance is a result of renovations in the 15th century and works done at the beginning of the 20th century. Inside, note the tomb of the last commander in chief of the Republic and the Sepulchral monument to Bartolomeo D'Alviano, as well as the vestry and the cloisters of the old monastery. The vestry houses paintings by Tintoretto and the bell tower is one of the most renowned in Venice. Mass: 10a, 11:30a, 7p Sunday; 7p Saturday and holidays.
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Chiesa di S. Zulian
Situated on Venice's main shopping thoroughfare, the Merceria, the Chiesa di San Giuliano ("Zulian" in the Venetian dialect) dates back to the 9th Century A.D. The church features a 16th Century, late-Renaissance façade (by Sansovino) on which is displayed a statue of Tomasso Rangone, a rich Venetian who financed the rebuilding of the church in the mid-1500's (and who was, surprisingly, the first non-religious figure to be portrayed in a Venetian church). Inside, visitors can find many notable religious sculptures and paintings.
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Chiesa di San Giorgio dei Greci
This very old church, commissioned by the Doge G.Partecipazio and Emperor Leone V, houses paintings by Bellini, Tintoretto, Palma il Giovane, and Alessandro Vittoria. It was started by Antonio Gambello and finished by M. Codussi, who was influenced by the Malatesta temple by Leon Battista Alberto. The church is open from 10a to noon and 4p to 6p daily. Mass is held everyday at 10a, noon and 6:30p. On saturdays and holidays, mass is held at 6:30p.
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Chiesa di San Giovanni Elemosinario
This church is ancient: founded in 1071, it was completely destroyed by the disastrous Rialto fire in 1514, and was subsequently rebuilt in Renaissance style. It is tucked away behind a frescoed arch, and is usually surrounded by the stalls of street vendors, making it a fun scavenger hunt to even find. Once you've actually located it, you'll be rewarded with beautiful works of art to see by the maestros Titian and Pordenone. Interestingly enough, the two were apparently archenemies. When Titian returned from working in Bologne, he found that Pordenone had gained much favor in the city, and the two proceeded to duke it out with one another (as artists) by painting their respective altarpieces in this church--a contest that has survived for hundreds of years, hidden away in this old chapel.
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Chiesa di San Moisè
The church of S. Vittore was built during the 8th century and according to Moise' Venier, it was rebuilt in 1632 AD. The baroque interior is bursting with works of art including busts of the Fini family, Tintoretto's 'La Lavanda dei Piedi' and an image of Moses receiving the Ten Commandments, on the altar. There is also the tomb of the writer and banker John Law, which used to be in S. Geminiano. Mass begins at: 9a, 11a, noon, 7p Sunday; 7p Saturday and holidays.
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Chiesa di San Pietro di Castello
This was the cathedral, or basilica, of Venice before the the current Basilica di San Marco (initially the private chapel of the Doge). San Pietro underwent reconstruction in the 16th century under Andrea Palladio. Inside you'll find an impressive marble throne in the arab-muslim style, frescoes attributed to Pietro Ricchi, the principal altar that is attributed to Moli and la pala Madonna con Bambino e Purged Souls by Luca Giordano.
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Chiesa di San Rocco
This is so close to the Frari church that it almost seems like the same building. Almost nothing remains of the original 15th century construction, which was sanctioned by the Francescani dei Frari. Giovanni Scalfarotto rebuilt it in the middle of the 18th century. The church houses art by Pordenone, Ricci and Tintoretto.
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Chiesa di San Salvador
Built on a structure of the 7th century and rebuilt during the 12th century, the church as it stands today was completed in 1534 AD. Mass is held at 10a, 11:30a and 6:30p. On saturdays and holidays, mass is held at 6:30p.
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Cimitero Ebraico, Lido
Founded in 1386 on land previously belonging to a Benedictine monastery, this cemetery (said to be one of the oldest in Europe) was abandoned in the 18th century. Inquire at the Jewish Museum in the Ghetto to arrange for a visit.
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Collezione Peggy Guggenheim
Peggy Guggenheim, a wealthy American, was interested in contemporary art and came into contact with various artists who guided and educated her, including Alexander Calder and Marcel Duchamp. This museum houses a collection of contemporary art, including works by Bacon, Balla, Brancusi, and Chagall. You'll also find masterpieces of De Chirico, Kandinsky, Klee, and El Lissitskj, Magritte, Man Ray, Picasso, and Pollock. Images of Guggenheim's gallery in New York are also on display. The restaurant, with outdoor tables, which overlook the gardens, offers delicious food.
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Columns of San Marco and San Teodoro
Shipped from Constantinople and erected by Nicolo Barattieri in 1172, these columns support two of the most important symbols of Venice. Atop one column is the bronze Winged Lion of Venice statue, a representation of the patron saint of the town, Saint Mark. A marble statue of Saint Theodore, the patron saint of Venice prior to the "relocation" of Saint Mark's relics to the city in the 9th-century, sits upon the other. These columns not only mark the entrance to the piazza, but also served as a criminal execution site until the 18th-century. To this day, some locals consider it bad luck to walk between the two columns!
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Convento di S. Francesco del Deserto
This island has belonged to Franciscan monks since the thirteenth century. It takes its name from St. Francis, who arrived on the island at the beginning of 1200, and stayed there for about a month. Some frescoes depicting the visit of St. Francis can be admired here, but the best thing about the island is its peaceful atmosphere and the park. The island can only be reached by private boat, which can be taken from Burano or by arrangement with the monks.
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Dogana da Mar
Resembling a ship's prow, the historic naval customs point separates the Giudecca and Grand Canals. Perched on top is a sculpture by Bernardo Falcone, two bronze Atlases hoist a golden globe, over which is balanced "La Fortuna," a rotating weathervane.
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Fondamente Nuove
This is a wide fondamenta along the north side of Venice, which offers beautiful views of the Dolomites on a clear day. From the vaporetto stop Fondamenta Nuove, there are also departures for Murano, Burano, Torcello, and Sant'Erasmo (among other destinations).
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Galleria D'Arte Moderna - Ca' Pesaro
This museum offers international art of the 19th and 20th centuries. Amongst the exhibits here are works by Ciardi, Favretto, Klee, Arp, and Kandinsky. You'll also find works by Ernst, Mirò and Calder. Originally opened as an exhibition of avant-garde works, it now displays mostly Italian artists from the 19th and 20th centuries, as well as foreign artists.
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Gallerie dell'Accademia
Located in the old church and school of the Carità, this building was partly built in 1100 and finished in the 14th century. The Academy of Fine Arts was started here by the Napoleonic government. In its 24 rooms, it displays works of Italian art, by artists such as Andrea Mantegna, Piero Della Francesca, Cosmè Tura, and Giovanni Bellini. Other artsits include Giorgione, Tintoretto, Paris Bordone, and Moretto Da Brescia and lots more.
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Il Ghetto
Following the rout of Agnadello in 1509, many people fled to the islands, fearing the arrival of the soldiers. Among them were many Jews who opened textile and rag shops near Rialto. Problems such as the imposition of a huge tax to fund the war against the Pope and the Emperor left the Jews with nowhere to live, and in 1516 the area surrounding the old foundries near San Girolamo was named as their official zone. The word ghetto is in fact derived from the Italian word getto which means to cast, or to throw. The hard 'g' was only added later, by the Germans, when ghettos were introduced in Germany.The city never really approved of the creation of the ghetto, considering it intolerant and exclusive. Many Jews were moneylenders and this cash was important for commerce; many were excellent doctors, and respected in the community. Eventually the law was ignored and Jews were integrated into city life once more. More »
Isola di San Giorgio Maggiore
The main feature of this island, located across the canal from San Marco Square, is the large Chiesa e Campanile di San Giorgio Maggiore. While inside the church, visitors are able to view its many great works of art, which include Tintoretto?s "The Last Supper" and "The Harvest," as well as other murals by this master and the painter Carpaccio. From the bell tower (Campanile) one can experience one of Venice?s most breathtaking views.
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Isola di San Lazzaro degli Armeni
This small, isolated island in the Venetian Lagoon was originally utilized as leper colony in the 12th Century, from which it takes its name "Saint Lazarus", the patron saint of lepers. Its sole inhabitant is the monastery that serves as the headquarters for the Mekhitarist Order, an Armenian congregation of monks operating under the Benedictine order. This highly scholastic order of monks focused on Oriental studies, and amassed a great amount of books and artifacts which can be seen in the monastery?s library and museum. Visitors are also welcome to explore the gardens, which are known for the peacocks who reside there.
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Isola di Torcello
Once the island of refuge for Venetians escaping the Barbarian invasions, the Isola di Torcello offers visitors beautiful, lush farmlands, and many ruins from which one can glimpse the past glory of the region. In addition, the island is the site of the Chiesa di Santa Fosca, and in the only square on the island sits Il Trono di Attila. Named after the famed Barbarian, the throne was built for the local bishop or whoever else held political power.
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L'Arsenale
This is a city within a city. The quickest way to see it all is to take the motorboat to the stop outside the naval history museum (to Arsenale) and head towards 'Fondamente Nuove'. At present, there is little to see: partly because the large docks are walled off, and partly because as they have been partially abandoned, it will appear to an untrained eye as though there is nothing to see. The area used to be very technologically advanced - it was here that the whole of the Mediterranean was instructed in modern methods of shipbuilding. Note the marble lions that guard the entrance: they were brought here from Pyrius in 1687.
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Le Zattere
In Italian, the word "zattera" means raft, or barge. This long, bright riva got it's name from the river barges that arrived there, loaded with tree trunks cut from throughout the Veneto. The wood was unloaded along "Le Zattere," and eventually used in everything from ships, buildings, foundations, channel markers and mooring posts, and beyond. If you're in search of a sunny walk, a spectacular view, or a breeze if there's one to be had, you'll find it along Le Zattere.
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Libreria Sansoviniana
The Sansovino library is the building that stands majestically across the Piazzetta from the Palazzo Ducale Sansovino, and today houses both the Biblioteca Nazionale Marciana and the Museo Archeologico. Construction was begun in 1537 by Jacopo Sansovino, but was not completed finally until 1591, well after his death. Works by Veronese, Tintoretto, Schiavone.
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Madonna dell'Orto
The paving of the square is made up of bricks laid out in a fish-bone pattern. The church, a 14th-century Gothic structure, was first called San Cristoforo but the name was changed when an image of the Madonna was found nearby. Tintoretto's 'Presentazione di Maria al Tempio', 'Il Martirio di San Cristoforo', 'Giudizio Universale' and 'Il Popolo Ebraico adora il Vitello d'oro' are kept in the church along with other works of art by G Bellini, Palma il Vecchio and Palma il Giovane. Admission: L.3.000
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Mercato di Rialto
This historic, open-air fresh fish and vegetable market has undergone gradual but perceptual change in recent decades, as the balance of native Venetians to foreign and temporary inhabitants has shifted dramatically. You'll still find everything you'll eat for lunch or dinner in the evening for sale here in its pre-cooked form in this energetic, colorful, morning market. Vegetable market is open every day but Sunday, fish market is closed Sunday and Monday.
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Mercerie
Cutting between Piazza San Marco and Rialto, the Mercerie is Venice?s main thoroughfare and the central locale for the city?s commercial trade. Since the city?s ancient history, the Mercerie has offered a variety of shops and boutiques from which visitors can browse through luxury jewelry, Italian fashion, and fine leatherwork.
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Monastero Mekhitarista
At the beginning of the eighteenth century, Armenian monks arrived in Venice. These monks fled from the Moorish country after the Turkish invasion. The Serenissima (Venetians) gave them an island, which was used as a lepers' colony in other times, hence its name 'San Lazzaro'. Under the guidance of Pietro Mechitar, the monks founded a religious order and monastery for the Mechitarists, and a library that became a cultural centre for the Armenian Diaspora. Fortunate enough to be spared by Napoleon, they continued in their work of cultural rescue. They established a typography in Armenian characters and collected the most ancient manuscripts that they could find.
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Murano
This island in the Venetian lagoon is famous for the glassware it produces. Don't miss the opportunity to see glass-blowers at work; it certainly requires extreme skill to take a lump of glass and turn it into glassware. Most glass workshops and factories can be visited free of charge, and more glassware can be admired at the Museo Comunità Ebraica
In the middle of the ghetto, amongst the synagogues, this museum tells the story of the Venetian Jewish community through the use of objects and works connected to religious life. In particular, goblets, jugs, basins, spice holders, silver and drapes for the Torah can all be found here. It is not a large museum but it contains many precious religious items.
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Museo Correr
There is a silent and almost respectful ambience in this museum. Visitors enter by means of a staircase, originally built as a grand entrance to the Napoleonic royal palace. From here, the tour continues through neoclassical rooms, the Royal Palace, the Canoviana Collection, Venetian Civilisation, Antique Art, and Renaissance Bronze. There are many sculptures by Canova and decorative objects by Francesco Hayez. Venezia by Jacopo De' Barbari can be admired in the entrance. Admission is EUR9.
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Museo del '700 Veneziano - Ca' Rezzonico
Located in Ca'Rezzonico, this was the last building planned by Baldassare Longhena. The interior is a reconstruction of an 18th-century palace, with original restored furnishings. The Venetian decor is splendid, particularly in the ballroom with its stunning trompe l'oeil, and the nuptial room, which has richly decorated dressing tables. Both, the beautiful furnishings as well as the many works of art are worth checking out. There are frescoes by Tiepolo and paintings by Guardi, Canaletto and Longhi. The admission is 6.50 Euro for adults and 4.50 Euro for students.
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Museo della Fond. Scientifica Querini Stampalia
The residence of the Querini-Stampalia family became a museum after the death of Giovanni in 1868. The library, archives and other exhibit rooms are all open to the public. Furniture, textiles and collector's items from the 16th century are on display, including a collection of paintings from the works of Bellini, Palma, Ricci and more. Temporary exhibits are on the ground floor. The library and archives contain more than 250,000 volumes. Admission is EUR6.
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Museo Diocesano
This museum is located in the old, Benedictine convent of S. Appolonia, whose cloister has been preserved. The historic archives of the Venetian diocese are kept and displayed here, including paintings and sculptures, banners, silver and jewelllery from churches and convent churches. Works by Palma di Giovane, Tintoretto, Titian and others are also on display here, but on rotation, so they can be restored or displayed in other museums.
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Museo Fortuny
This was the house of Mariano Fortuny, friend and colleague of D'Annunzio, who was a set designer, inventor, fabric manufacturer, and photographer of Catalan origin. The house, which looks like a theatre set, is a vision of furnishings, objects, textiles and ornaments from the beginning of the last century. Mariano Fortuny created objects, which are still being produced, and the originals can be admired here. The style is a mix of art nouveau and art deco.
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Museo Storico Navale
Located just a few minutes walk from the Arsenale, the whole history of the Venetian Republic and the Italian Navy is explained here through models and exhibits. Canons, prints, period gondolas and nautical instruments, such as compasses are on display. There is also a section dedicated to the history of the Italian Navy with flags, uniforms and military and civil model ships. Some of the pieces date from the 18th century but most are from the 19th century. Admission costs EUR1.
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Museo Vetrario - Murano
From milky opalescent to crystal clear, all kinds of glass, including chandeliers, vases, glasses and mirrors, in various styles and forms are displayed at this museum. Visitors can also watch a glassworker in action. Be sure to visit the glass workshops and famous glass factories in Oratorio dei Crociferi
Built in the 12th century as a complex that included a church, a monastery and a hospital, this building was transformed into a hospice in 1400. The interior was decorated by Palma il Giovane at the end of the 16th century. The painted cycle tells the story of the crusaders and their hospital, of the Oratory as a hospital church and of the Oratory services. The Oratory is located opposite the Jesuit Church. A guided tour costs is EUR2; call for details.
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Palazzo Ducale
This palace is located next to the Basilica di San Marco. It has been evolving into its present form since 1340. The body of the building was constructed on a medieval base. The palazzo has been destroyed many times, including during the fire of 1106. It was rebuilt by Barbarossa in 1177. More than a palace, this whole area comprises the apartments of the doge (often used as an exhibition space), the government quarters and the courts.
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Palazzo Grassi
This museum is situated in an imposing palace designed by Massari on the Canal Grande, right opposite Ca Rezzonico. To get there take the vaporetto and alight at the San Samuele stop. Formerly a centre for arts, the Fiat group had it restored by Gae Aulenti and then transformed it into an exhibition centre of international importance.
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Palazzo Labia - Salone del Tiepolo
Built from Istria stone in the 17th century, this palace is characterised by three facades that are decorated with eagles, from which one can see the Canale Grande. Tiepolo painted a fresco on the walls and ceiling of the Salone to mark the occasion of a marriage of someone from the Labia family. This is now the headquarters of the Veneto region's RAI and can only be visited by appointment, on Wednesday, Thursday and Friday; call for details. Admission is free.
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Palazzo Mocenigo
This stunning building was once the 18th-century residence of the Mocenigo family, one of the most famous families of the Serenissima, who gave seven doges to the Republic. The house has now been turned into a museum and exhibits textiles, books, furniture and and costumed figurines in period clothing. The Center for the Study of History of Fabrics and the Dresses Library is also located here.
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Piazza San Marco
Piazza San Marco, or St. Mark's Square, is Venice's most famous square. What appears to be a rectangle is actually a trapezium, and when you look up at the basilica, the piazza seems enormous, although it is only 175m long. On both sides of the piazza are the "Procuratie" buildings, which housed the procurators of San Marco. The oldest of these (probably built by Codussi) are on your left when you face the basilica; Longhena built the ones on the right later, in 1640. The most recent buildings, commissioned by Napoleon in 1810, lie behind.
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Ponte dei Pugni
Though Venice has countless bridges over its many canals, the Ponte di Pugni is one of the city?s most well-known. The name ("pugni" mean "fists") refers to the traditional contests and fights that took place on it, during which the loser was thrown into the water. Today, tourists with a keen eye can find stone footprints on the bridge, which mark the starting points for these fights.
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Ponte dei Sospiri
Some legends say that the Ponte dei Sospiri was called the Bridge of Sighs because it was a rendezvous for lovers; however, the truth tells a much sadder tale. The bridge, in fact was built to convey magistrates to the courts and prisoners to their fates. However, the baroque bridge, designed by Antonio Contino, still has a very romantic air to it, and remains an important historical landmark in Venice today.
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Ponte dell'Accademia
Built during the Austrian occupation in 1854, it's one of three bridges that cross the Grand Canal. It was intended to eventually have a stone replacement, but the recent wood construction remains.
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Ponte di Rialto
For a long time this was the only way to cross the Canal Grande. There was a bridge here at the end of the 12th century, but the current one, designed by Antonio da Ponte, was built 1554-1591. There are now lots of shops on the bridge selling all kinds of souvenirs and curiosities and fresh fruit, vegetable and fish markets line the streets in the bustling neighborhood. While a second bridge was built in 1854, this bridge is still an important historical landmark and always a bright spot for tourists.
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Ridotto
Ridotto means "reduced" in Italian, and is the word applied to the aptly-named gambling houses that became so popular during the Republic's descent in to decadence during the 1700s. Casanova & the Venetian nobility funded the flagging Republic (and amused themselves into financial insolvency) in the infamous State-run Ridotto, where a mask, or "bauta", was a requirement if you weren't dealing. This ridotto subsequently became the far more respectable Teatro del Ridotto, but today the lavish salon is the interior of the Hotel Monaco. The casino is recreated during Carnevale, along with an extravagant costume dinner and ball.
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Riva degli Schiavoni
The Riva degli Schiavoni ("River of the Slavs", a reminder of Venice's long cultural exchange across the Adriatic) is one of the most picturesque and popular promenades in Venice, offering those who walk along it a crowded mix of fellow travelers and souvenir vendors. A great way to enjoy the Riva degli Schiavoni is to get there early in the morning, before the crowds form, and watch the sun rise over the city.
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Sale Wagner - Palazzo Loredan-Vendramin
The Sale Wagner, one of the cities many palaces, welcomes travelers from its majestic location on the canal banks. It is a wonderful destination for anyone who enjoys the music of Richard Wagner as it houses a museum dedicated to his honor and displaying many pertinent Wagner relics. (Wagner resided in a number of rooms of the old Palace Vendramin-Calergi for a period of his lifetime.) The Sale is one of the lesser known attractions in Venice, but one certainly enjoyed and remembered by those who wish to venture there.
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San Francesco della Vigna
According to tradition, toward the middle of the 13th century, the son of the Doge Pietro, Marco Ziani, donated a vineyard to the Friars and the church was built here by Jacopo Sansovino 300 years later. The façade, commissioned by the patriarch of Aquileia, was later restored by Palladio. It seems that long before, on the same site, there was the church of San Marco, to commemorate the place where San Marco was met by an angel on his way back from Aquileia. The sober interior houses paintings by Veronesi and Bellini.
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San Giacomo da l'Orio
For a long time it was thought that the Orio referred to the Orient, but in fact it refers to the laurel plant, which used to grow in the area. The church, which dates back to the 9th century, has its original Gothic ceiling and contains works by Palmo il Giovane and Veronese. It has been restored several times. Admission: L.3000
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San Giacomo di Rialto
If you get lost in the Rialto market, ask someone from San Giacometo for directions. Above the tribunal, near the main entrance, are an extraordinary 24-hour clock and the original porch.
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San Giobbe
Built in the 15th Century, the church of San Giobbe is Venice?s earliest example of Tuscan Renaissance architecture. Originally the church was built to house the poor residents of Venice, today, the church offers visitors a view of its famous triptych (three-panelled paintings) by Antonio Vicarini, located in the Sanctuary, and the Cappella Martini, which houses interesting blue and yellow glass and earthenware decorations.
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San Giovanni Crisostomo
It is a shame that tables, chairs and food stalls block the view of San Giovanni Cristostomo. Built by M. Codussi at the beginning of the 16th century, it was bombed by the Austrians in 1918. It is in the shape of a cross and several pillars hold 4 arches and a dome. The remarkable altarpiece by Bellini is dedicated to San Cristoforo, San Girolamo and Sant'Agostino, not less remarkable is the one dedicated to San Giovanni Battista Liberale, Maria Maddalena, Agnese, Caterina, by S.del Piombo.
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San Giovanni in Bragora
The meaning of Bragora is still debated. Some say it goes back to the Greek ‘Agora', the square where the sovereign people used to make decisions, or ‘Bragola', meaning market place. Though the old name is still used, today the place is called Bandiera and Moro. Built in the 8th century, subsequent additions and restorations (up to the 18th century) have mixed up the architectural styles, and now there are only glimpses of its past glory. Inside is the magnificent ‘Battesimo di Cristo' by Cima da Conegliano.
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San Nicolo da Tolentino
Located on the south bank of the Grand Canal in the authentic Venetian neighborhood of Santa Croce, this church is certainly worth a visit if only to stand in front of the great white columns that line its façade and Corinthian portico (the only one in Venice). Also known as the Tolentini, the church serves as the home for the Theatines order of monks. Once inside, visitors will be able to view important paintings by J. Palma il Giovane and "The Annunciation" by L. Giordano.
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San Nicolo dei Mendicoli
A short walk from the 'Rio Tera dei Pensieri' prison, a lone priest has been fighting for years to save this parish church. The fine interior woodwork dates back to the seventh century when the first settlers started coming here. A few decades ago, the fifteenth-century porch was rebuilt using, as far as possible, original materials.
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San Pantalon
The Chiesa di San Pantaleone Martire sits at the far end of the Campo San Pantalon. Though the primary point of interest remains the church's interior ceiling, which depicts The Martyrdom and Apotheosis of St. Pantalon painted by Gian Antonio Fumiani (until he fell to his death from the scaffolding), other notable art works include the "Coronation of the Virgin" by Antonia Vivarini and the "St. Pantalon Healing a Boy", Veronese's final work.
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San Polo
San Polo and Santa Margherita are the largest piazzas in Venice. Coming from San Toma the church is barely visible and the bell tower, detached from the building, is visible from the other side of the 3m-wide street. In the oratory hangs 'Via Crucis' by Tiepolo. Admission: L.3000
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San Sebastiano
The humanities section of Ca'Foscari is lodged in what was once the annexed monastery. Built at the beginning of the 16th century to a design by Scarpagnino, it houses valuable paintings by Paolo Caliari. Admission: L.3000
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San Stae
This museum explores 18th-century Venetian art, from Piazzetta to Tiepolo. It looks out onto the Canale Grande and its façade on the square portrays 'La Scoletta dei Battiloro', dedicated to the goldsmiths who made gold leaf. Admission: L.3000 (EUR 1.54)
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San Trovaso
Five minutes walk from the Gallerie dell'Accademia, the Campo San Trovaso houses this lovely church with a beautiful campanile. With two identical facades, this church served as neutral ground between the Nicolotti and Castellani factions, where inter-factions marriages and other services could be observed. There are also beautiful works by Tintoretto, his son Domenico, and Giambono to see.
This campo is home to one of the few remaining active gondola yards. Nearby is the Taverna San Trovaso, one of the most popular restaurants in Venice, with traditional Venetian seafood dishes to order. There is always a line, and the restaurant is always packed, but a quick table turnover and good prices make it a worthwhile lunch or dinner stop. More »
San Zaccaria
The earliest foundations of this church date back as far as the 9th Century, but it wasn't until the Renaissance that it was fully formed. It is most famous for housing precious artwork by Giovanni Bellini ("Vergine col putto in trono" and "Santi ed Angeli musicanti"), which makes this church is one of the most visited in Venice. Many visitors today also come to see Bellini's final and highly praised painting of the Madonna and child.
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Sant'Alvise
Donated by Antonia Venier, this church was built at the end of the 15th century, but subsequent restorations have altered its old austerity, except for the choir stalls for the nuns and the Barbicans. Tiepolo's Passione di Gesu and the Poverta di Giobbe wrongly attributed to Vittor Carpaccio by Ruskin, adorn the interior. Admission: L.3000 (EUR 1.54).
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Santa Maria dei Derelitti
Due to its position adjacent to a hospital, this church is also known as the 'Ospedaleto'. Slightly obscured by the narrow street on which it stands, the beautiful building dates back to the 17th century. Designed by B. Longhena, it was paid for by B. Cagnoni. Inside are several paintings thought to be by Tiepolo.
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Santa Maria dei Miracoli
A short walk from the church of the Saints Giovanni and Paolo and the adjacent hospital, is this masterpiece dating back to the Renaissance, built between 1481 to 1489 by Pietro Lombardo with the marble discarded after the completion of San Marco. Recently restored to its original splendor, the church was financed by the oblations to the Madonna and was built where a statue of the Madonna, thought to have performed miracles, was found. Admission: L.3.000 (EUR 1,54)
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Santa Maria del Giglio o Zobenigo
A short walk from the Fenice theatre and Gritti's residence stands this luxury hotel. The Gothic façade, recently restored to its original splendor, is adorned with 4 statues representing the Barbero family. On the lower part of the façade there are maps of fortresses and inside are paintings by Tintoretto and Rubens. Admission: L.3000
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Santa Maria della Consolazione
On the road from Rialto to San Marco, behind San Bartolomeo Square there is this church dedicated to the Fava family. The church itself is oval and houses Tiepolo's Educazione della Vergine. Giorgio Massari designed the presbytery.
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Santa Maria della Visitazione
Although the church (also called La Pieta) was originally built in the 15th-century, it was completely restructured in 1745 by Giorgio Massari and currently reflects his work. Prior to the church's renovation, violinist Antonio Vivaldi was the choir master here and composed what many believe is his best work. Thus, when the church was rebuilt, music was said to be a great inspiration. This influence can be seen in the church's interior architecture, which resembles a music hall. The church is additionally impressive with two great Gian Battista Tiepolo works, the Fortezza e la Pace (Fortitude and Peace) and the Trionfo delle Fede (Triumph of Faith), adorning the ceiling. This is also the sister, precursor church to Santa Maria del Rosario (Gesuati).
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Santi Apostoli
Venice was founded by refugees from the mainland, and this church is located in one of the earliest locations of the Rialto portion of the Venetian settlement. The church itself has been renovated more than once, with a complete renovation in 1575, and the last by Giuseppe Pedolo taking place in the 18th century.
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Scala Contarini dal Bovolo
The spiral staircase (Bovolo in Venetian dialect) is the most interesting thing about this palace. To get there, follow the yellow arrows from Manin square, down the Calle della Mandola. En route, you will experience the peculiarities of Venetian dimensions at first hand: the streets which lead there are so narrow, two people cannot go down them side by side.
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Scuola Dalmata di S. Giorgio degli Schiavoni
This was built at the end of the fifteenth century, and was restored in the middle of the sixteenth century. The school is dedicated to the Dalmati, a fundamental component of the republic; and the name comes from Schiavonia, as Dalmazia was once called. The Schiavoni were devoted to St. George, St. Trifone and St. Gerolamo. It contains a famous cycle dedicated to the life of St. George, which was painted by Vittore Carpaccio over five years. The iconoclastic works of Augusto Gentili are fundamental to understanding the building.
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Scuola dei Carmini
The two facades of this building are attributed to Longhena, so it can be assumed that it was built in the seventeenth century. The brotherhood of the Virgin of Carmel was very powerful in seventeenth-century Venice, and is still dedicated to works of charity nowadays. A pictorial cycle of nine paintings can be admired inside, dedicated to the 'Madonna del Carmine' and painted by Giambattista Tiepolo. There is also a painting by Padovanino.
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Scuola di Merletti - Burano
Lace-making and embroidery is an ancient Italian art; the country's delicate products are world famous and have been exported all over Europe since the Renaissance. All kinds of linen are displayed at this museum. There are items for tables, living rooms, entrance halls, bedrooms and bathrooms as well as suits, shirts, collars, cuffs and nightwear. You can also see the agile hands of skilled crafters at work. Admission is EUR2.5.
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Scuola Grande di S. Giovanni Evangelista
Built at the end of the fourteenth century, this building is instantly eye-catching because of the large front entrance, which opens into a small courtyard. The construction is a mix of styles from the fourteenth to the late-fifteenth century. Renovated in the seventeenth century, the hall of San Giovanni was built at that time, as was the monumental, splendid staircase and the Oratory of the Cross, which is next door. Nowadays, this is mostly used as a concert hall and can only be visited with a guide on Sundays and Mondays.
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Scuola Grande di San Marco
A present-day hospital, this building was originally home to one of Venice's most notable and respected confraternities. Labeled one of the six "scuola grandes," the Scuola Grande di San Marco was founded in 1260 on philanthropic principles. After the original building on the site burned down, the group commissioned renowned sculptor Pietro Lombardo to create the façade. However, before he and his collaborators (his two sons and Giovanni Buora) could complete their work, the scoula hired Mauro Codussi, a competitor of Lombardo's, to finish it. The end result is an ornate and beautiful façade; particularly aesthetic are the trompe l'oeil panels that represent scenes from the life of St. Mark. Over the years, the much-loved building has been the subject of several restoration campaigns, and has recently undergone repair and refurbishment.
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Scuola Grande di San Rocco
This stunning building was built in the Renaissance, but displays traces of successive interventions up until the baroque period. It is often used as a concert hall, and is next to the San Rocco Church with which it is often mistaken. It is dedicated to Rocco, who cured the sick during the 14th-century plague. The interior decoration of the school was entrusted to Jacopo Tintoretto, whose works, such as the 'Allegories', 'Life and Passion of Christ', and episodes from the Old and New Testaments can be admired. Among the most famous displays are 'The Annuciation', 'The Epiphany', and 'The Flight to Egypt'. Admission is EUR5.
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Sinagoga Ebraica
There are five synagogues in Venice: two of them (one Spanish and one Levantine) in the old ghetto date from 1500 AD and the other three (German, Canton and Italian) were built in the new ghetto. Longhena built the Spanish synagogue in the 17th century; he also restored the Levantine synagogue. One wall of the Canton synagogue, built in the 16th century, is adorned with paintings portraying Jewish history, including 'The Crossing of the Red Sea'. Services: 9.30a Sa
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Squero Canaletto
Although having an American operate one of the oldest gondola yards in Venice has raised more than a few eyebrows, Yankee owner Thom Price has been building gondolas for a decade. He has made a commitment to following the gondola's traditional construction, but has bolstered the craft by infusing it with modern-day building techniques. For those interested in learning more about these icons of Venice, take one of the Squero Canaletto's bi-weekly tours. You'll not only see their collection of artwork that takes visitors through the
pictorial history and evolution of the gondola, but you'll also get to see actual gondolas being made while learning about the process. More »
Squero di San Trovaso
There are about 350 gondolas in Venice today, down from about 10,000 when they were a primary mode of transportation. This is one of the remaining workshops where gondolas are both constructed and repaired. Not open for visiting, but there's a fine view from across the Rio San Trovaso in Dorsoduro.
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Statua di Colleoni
A magnificent bronze equestrian statue of military leader Bartolomeo Colleoni, it was designed by Andrea Verrochio but completed by Alessandro Leopardi in 1490 after Verronchio's death. Although considered one of the best of its kind in the world, the statue does not actually look like the subject it was designed to portray! Verronchio had never seen Colleoni, so instead, he created a statue that is almost more a monument to military glory and power than one celebrating the famous mercenary.
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Teatro La Fenice
This historic late-18th century theatre and opera house, beloved by performers and the public alike, has a long and complicated history. The word "fenice" in Italian means "phoenix," and is appropriate, as the theatre has managed to endure after not one, but two devastating fires (the first in 1836 which burned for three days and nights, the second in 1996). The most recent reconstruction was completed in 2003.
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Teatro Malibran
The Teatro Malibran (once known as the "Teatro San Giovanni Grisostomo") was first built in 1677, purportedly on the site of a vanished structure once belonging to Marco Polo, and was at one time considered Venice's finest musical venue. It has been refurbished and rennovated numerous times in its long history, most recently in 2001, and is in top shape today as part as one of the venues run by the famous theater troupe Teatro La Fenice. Call ahead or check its website to book reservations to see a show in this historic venue.
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Torre dell' Orologio
Along with the Basilica and the Doge's Palace, this proud clock tower has been an integral part of the image of Venice and Piazza San Marco since the time it was constructed in the late 15th century. Composed of an astrological clock (one facing the Piazza, and one facing the Mercerie), the Madonna and child, and the Winged Lion of Venice, perhaps it's most notable feature is the two giant Moors who strike the massive bell on the terrace above, tolling the Venetian hour for over 500 years.
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