Browsing Vienna
The Academy of Fine Arts building houses not just the academy itself, but also the Gallery of Paintings. This building, with its beautiful facade, was designed by Theophil Hansen between 1872 and 1876. Some remarkable pieces can be viewed in the collections of Dutch and Flemish painters of the 17th century; Italian and German art from the 16th century, which includes an altarpiece of the Last Judgment by Hieronymus Bosch; and paintings by Rubens, van Dyck, Murillo and Francesco Guardi. Works by professors of the academy are also on display. The students' canteen or the artists' material shop, both situated in the same building, are recommended. If you still haven't had enough art after all this, ask about further exhibitions in the new Academy House on Getreidemarkt/Karlsplatz.
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The labyrinth of medieval streets east of Rotenturmstraße in the 1st district is one of Vienna's most attractive areas and at the confluence of Bäckerstraße and Postgasse lies the Dr.-Ignaz-Seipl-Platz, studded with impressive buildings. The Academy of Sciences (1755) has a fine Baroque facade and within, the impressive Freskenraum containing a number of frescoes by Franz Maulbertsch, is occasionally open to the public. As there is constant human traffic here, just nip in and follow the signs. Haydn fans will enjoy visiting the scene of the composers last public appearance at a performance of his Creation, when he reputedly whispered to Beethoven, What I have started, you will finish.
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The Albertina resides on a plateau at the far end of Augustinerstrasse, beyond the Augustinerkirche. It is named after Albert, Duke of Saxony-Teschen, who bought the palace in the early 19th century and on the basis of his own enthusiasm as a collector and turned it into a place in which to display an arts collection. Today, the Albertina boasts one of the largest collections of graphic arts in the world, with approximately 50,000 drawings, etchings and watercolors as well as over a million and a half printed works by all the important artists from Gothic to modern art.
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The Alpine Garden, south of the Upper Belvedere, is the oldest of its kind in Europe. Behind the walls that separate Belvedere Palace and the Botanical Garden, one can see a rock garden with thousands of plants normally only found in alpine regions. Some of these are quite rare. This small place with bridges and a tiny pond reminds one of a Japanese garden, which is charming in the middle of Vienna! Besides that, rare plants can be bought here, perhaps as an unusual but rather delightful souvenir.
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The Altes Rathaus or old city Hall dates from the 13th century but was extended and given various facelifts over the centuries. Today it is home to the Museum of the Austrian Resistance Movement, a fascinating collection of documents, personal testimonies and photographs intended as a warning to future generations of the dangers of fascism. Sadly it has very irregular opening times and it's best to ring in advance. Do not miss Georg Raphael Donner's delightful fountain (1741) in the courtyard or the superb Renaissance portico to the Salvatorkapelle in the Salvatorgasse directly behind the building.
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Fans of Hundertwasser may well be tempted to trek down the Gumpendorfer Straße to see a similar transformation of a council housing block by artist Arik Brauer in collaboration with the architect Peter Pelikan who also worked on the Hundertwasserhaus. Built on the initiative of the popular Viennese mayor Helmut Zilk between 1991-3, the facade is decorated with two large ceramic friezes by Brauer but as a whole the building is indistinguishable from Hundertwasser's except for the absence of vegetation.
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Opened to the public in 1775, this park was formerly the hunting ground of the imperial family. The Augarten Palace was built at the end of the 17th Century by emperor Joseph II in the style of J.B.Fischer von Erlach. It houses the Vienna China Manufactory Augarten. Another building within the palace complex is home to the Vienna Boys´ Choir. Not to be overlooked is the anti-aircraft artillery tower, a huge monument to World War II. In the summer months, the Augarten is visited by tourists and locals alike; all come to the open-air cinema, maybe enjoy a drink in a small tavern, or just relax with the family either in the wide green of the park or in the recreation grounds.
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The visitors to the Lobau, which is situated in the south-eastern part of Vienna, are in complete contrast to the visitors to the Copa Cagrana. For 100 years people are coming here because of the freedom to go bathing completely naked. Obviously they have been so liberal on occasions that they have got themselves into trouble, but this is a thing of the past. Today you have to walk or to take the bike to come here, because this natural region may not be accessed by cars. By public transport, you take the bus #91A to Ölhafen Neue Donau.
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All Viennese children learn the story of the Basilisk: in 1212, there was a Basilisk, a cross-breed of a cock and a toad, which lived in the well at the baker's house. All who looked into his eyes were immediately turned to stone. The clever apprentice to the baker showed a mirror to the beast and so it was turned into stone itself. An inscription and a drawing still remind us of his heroic deed. Walking down the Schönlaterngasse and the little neighbouring roads with their small old buildings is a real trip down memory lane.
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The Belvedere comprises two magnificent baroque mansions facing each other across a sloping formal garden. Prince Eugène of Savoy, whose campaigns against the Turks enabled the Habsburg Empire to reclaim Hungary, purchased some land beyond the city walls in 1693, upon which he ordered a park with elaborate water features and fountains to be built. In 1714, the Prince had Lukas von Hildebrandt build the Lower Belvedere for his personal use with its beautiful Marmorsaal (marble hall), the Prunkgalerie and the marvelous Spiegelsaal (mirror hall). In 1721, Hildebrandt started with the construction of the Upper Belvedere, purposely built for the prince's lavish masked balls, receptions and firework displays. The Audienzsaal (reception room), Spiegelkabinett (mirror cabinet), Kunstgalerie (arts gallery), Konferenzsaal (conference hall) and Kaffeezimmer (coffee room) can all be visited today. The complex of the Upper Belvedere now houses one of Austria's most popular galleries (Galerie im Oberen Belvedere) with a huge collection of paintings by Gustav Klimt, Egon Schiele and Oskar Kokoschka.
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While it counts for little on the world market, architecturally the Vienna stock exchange has a lot more going for it than most temples of capitalism. Built as part of the monumental Ringstrasse project in 1874-77 by Theophil Hansen, this its soft red brickwork with delicate white cornices makes Vienna's Börse one of most elegant Historicist edifices. As a tribute to the architect, there is now an extremely cool restaurant called Hansen, located at the back of the building.
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A lot of rare and lesser-known exotic plants and trees can be seen in this garden. Empress Maria Theresia realised this project in 1754 to plant the medicinal herbs suggested by her physician. A few years later, this area was changed into the Botanical Gardens, which was then donated to the university. It is an oasis of peace and tranquillity, and is therefore recommended not only for botanists, but also for parents and their children.
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If you're looking for a great place to throw a Frisbee or sunbathe on a lawn, you'll love the Palace Gardens. More than just a haven for lazy leisure, Burggarten salutes Vienna's rich musical history with a statue of Mozart mounted on a base decorated with images from
Don Giovanni. The garden, which has been open to the public since 1918, is a remnant of the space Napoleon figuratively steamrolled before he left Vienna. In addition to the gardens, you'll find greenhouses (built by Friedrich Ohmann) and an equestrian statue of Emperor Franz I by Balthasar Moll.
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This theatre, built between 1874 and 1878 by Karl Hasenauer and Gottfried Semper, is one of the most famous in the German-speaking world. "The Burg," as the Viennese have dubbed it, was never just a theatre but also a sacred place where heated debates took place about the function of art and culture. Older people still remember the golden years of actors and actresses like Paula Wessely, Alexander Moissi and Helene Thimig, but modern times sees a diverse program of theatre, concerts and special events.
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Dating from the 1820s, the Burgtor was built to commemorate the Austrian victory over Napolean at Leipzig in 1813. Located to the west of Heldenplatz it is the official entrance to Hofburg but since the demolition of the city walls, it looks rather small and lonesome. During the Austro-Fascist period in the early 30s it was extensively renovated and converted into a monument to the Austrian dead of World War I. Check the two small entrances either side of the Burgtor, also built at this time, with their stylized sculpted eagles in the purest fascist style.
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The charm of this legendary cafe once frequented by men of letters–-such as the poet Peter Altenberg, who was a regular patron around 1900–-makes a visit a memorable experience. Visitors appreciate the comfortable furnishings, Viennese cuisine, homemade sweets, and piano music.
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Since 1873 when this cafe on Ringstrasse first opened, it has been known as Vienna’s "most elegant coffee venue." It is equally popular with Viennese and visitors, and well-known customers have included Sigmund Freud, Marlene Dietrich, Romy Schneider, Burt Lancaster, Hillary Clinton, Paul McCartney, and many others.
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Located right across the street from the famous Hotel Imperial, this grand coffeehouse was designed by Josef Hoffmann, founder of Wiener Werkstaette. Today, the Café Schwarzenberg is one of the last cafés on the Ringstrasse upholding the typical atmosphere and tradition of a Viennese café.
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At the southern end of Schwarzenbergplatz lies the Russian Heroes' Monument, a "gift" from the Russian people commemorating the liberators of Vienna. Under the terms of the State Treaty of 1955, the Austrians committed themselves to paying for the upkeep of this highly controversial monument. The soldier's gilt shield glistens in the midday sun, occasionally (and deliberately) obscured by the jets of water from the Hochstrahlbrunnen, a fountain commemorating the installation of the city's main water system in 1873.
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Founded in 1963 by people engaged in the former resistance movement against the Nazi regime, the focus of the documentation is restistance and persecution, exile, crime during the Nazi regime and the Holocaust. The archives show an exhibition of Austrian history from 1918 until 1945. Visits and guided tours are for free and not reccomended for people younger than eleven years. Prior arrangement of guided tours would be sensible.
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In 1933, the Museum of the Cathedral and Diocese was opened, although 50 years before this, the necessity to realize such a museum was discussed. The 500 year history of St. Stephen's Cathedral, 250 years after the victory against the Turkish army in Vienna, was the motive to build the museum at that point. The collection houses unique objects of religious Austrian art that are more than 1000 years old. The museum presents objects that are no longer used in the churches, or those that are in danger of being stolen or destroyed in their churches. Since 1980, the valuable collection of modern art, Austrian and international pieces, as collected by Msgr. Otto Mauer, has been a part of the museum.
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Built in the 1630's and designed by Antonio Canevale, this Roman Catholic Church's building is Baroque in style and almost unbelievably ornate in every decorative detail, so plan on staying a good while in order to take it all in. Particularly interesting and beautiful are the Rococo grilles, candelabras, gilt organ, frescoes and high altar located in the central chapel. Mass is conducted at 6:30am and 7:30am Mondays through Saturdays, and on Sundays at 10am and 12 Noon. Although there is no gift/bookshop available, pamphlets are available for further information, if you read German!
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In the late 19th century, the main course of the River Danube was straightened to allow larger vessels to dock. A parallel channel was cut in the 1970s, creating a long, thin artificial island, officially known as "Donauinsel," though often called the Copa Cagrana after Kagran, the 22nd district in which it is situated. The original course of the Danube, to the east of the Neue Donau, was then used to create the semi-circular nub of land known as Kaisermühlen, home to Vienna's UNO-City. To be honest, the Donauinsel (measuring 20km by just 200m) is pretty bleak; nevertheless, it is a paradise for cycling and
rollerblading. In summer, the Viennese flock to the beaches here. At night, there are numerous bars, discos, restaurants and food stalls, centered around the Donauinsel underground-station.
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When viewed from afar, the Donauturm might appear to the untrained eye more like an odd oversized lighthouse in which one would not suspect in a 1,000 years contains a restaurant with a stunning panoramic view. Guests are delivered in a matter of seconds (30 actually) to either the viewing terrace at 150 metres from water level; or the restaurant, 15 metres further up. It is only after a short while that most guests realize that the entire room of the restaurant is, in fact, rotating. Signs are programmed to point out all the sights as and when they appear. A tip for visitors: any sunset observed from this point is not soon forgotten.
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Just next to the Konzerthaus, skaters draw their figures on ice accompanied by music from the wings. In the separate central area pairs dance waltzes on skates. In another separated area in the corner, children are trained in figure skating. In this old established Eislaufverein, founded in the 1867 with the artificial ice rink added in 1912, there are still a lot of skaters with classic, old-time leather skates. There is skate rental and a buffet to regenerate your soles!
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From January to March every year, the area between the Rathaus (Town Hall) and the Burgtheater is dominated by an outdoor ice rink. With the town hall illuminated at night and numerous stalls selling hot drinks and snacks, the atmosphere is magical. Visitors can also try their hand at curling on a second rink.
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The Fiaker is still to be found in the streets of Vienna. Today the fiacres, once an indispensable part of public transport, are found in the city centre, and can be chartered as an exclusive and rather expensive way of sightseeing through the 1st district (about ATS 500, EUR 40 for half an hour). The museum itself, with pictures, photos, flags and newspapers explains the history of these coaches-for-hire and also of their coachmen, who are seen as more of an institution than are their valuable vehicles. Don't expect to find a real Fiaker in the museum.
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A huge, steel and concrete building stands in the middle of the Augarten. It was constructed during World War II and served as a concrete air-raid shelter as Vienna did not have enough of them. At this time, many people tried to defend the city by firing rifles from its roof at the aircraft overhead. This building is constructed in a way as to make it virtually indestructible, like the other flak-towers to be seen in Vienna. Today, one of them is used as an aquarium, Haus des Meeres. The Augarten is a nice park and in summer there is an open-air cinema. It is also the home of a porcelain manufacturer.
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The most durable reminders of World War II in Vienna are undoubtedly the city's gigantic Flaktürme or Flak Towers. Six of these monstrous reinforced concrete edifices, with 5m thick walls capable of holding up to 30,000 troops, are dotted throughout the city. As their demolition is unfeasible, suggestions for alternative uses are constantly being bandied about. The Flakturm in the Esterhazypark has been converted into an aquarium and reptile house and there are plans to place a bar on top. The upper part bears the rather incomprehensible legend "smashed to pieces in the middle of the night" in English and German, the work of American artist Laurence.
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The flea market takes place next to the Naschmarkt each Saturday from 5am and in all weather. Here, you can find everything from antiques to crystal, glassware, lamps, records or dresses. The experienced visitors know that they have to come here early in the morning to find the most interesting pieces. Whatever time of day, it is a colourful scene, with the beautiful buildings along the Wienzeile in the background.
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Erected in 1603 the outside facade of this Roman Catholic Church is Renaissance in style, however, inside you will find the structure is decidedly Baroque. The high altar was designed by Andrea Pozzo in 1707 and depicts the Virgin Mary in a quite vivid and animated style lending her an almost theatrical presence. The church also boasts the oldest organ in Vienna which was designed by Johann Wockerl in 1642 -- you will walk away amazed by the beauty of the angels and other religious paintings it embellishes.
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The Friedhof der Namenlosen ('the cemetery of the nameless') is perhaps the most tranquil of all the graveyards in Vienna. It is situated on the left bank of the Danube and is best known thanks to the film Before Sunrise, starring Julie Delpy and Ethan Hawke. Anyone who takes the time to spend some time here will not easily forget the impact of a walk under shady trees surrounded by row after row of inconspicuous graves. As the name suggests, most of those buried here between 1900 and 1940 remain anonymous. Most of the crosses are marked with a chilling "Unknown"; on a few there stands only a christian name.
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This ideal location for a quiet walk is hidden away in a somewhat disused area of the Third District. Nobody has been buried here for a good few years - the gravestones, which date back to the Biedermeier period, are partly dilapidated and the writing on them is hardly visible. The main attraction here is the monument to Mozart: a stone tablet, grave decorations and an angel on top of a column of stone are constant reminders that this was the final resting place of the composer; he was buried here in a mass grave in 1791.
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The Asenbaum Gallery is renowned for 17th, 18th and 19th century paintings, contemporary and Wiener Werkstätte jewelry, modern paintings, European ceramics and glass, and first-rate Biedermeier and Jugendstil furniture. Surf the Web site for prices (quoted in Euro) and payment information—no credit cards are accepted, but currency can be transferred directly into the Asenbaum bank account. All purchases are guaranteed authentic and specialists are on-hand for expertises and evaluations. The gallery also buys museum quality Austrian and German 16th-20th century decorative art, 18th century Austrian and German classical paintings, and European modern paintings from the period of 1940-1960. It will also accept some work on a consignment basis.
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Delighting art enthusiasts since 1971, Gallery Krinzinger proudly represents young international and national artists. Come have a look at the various solo, group and topic shows, of artists, such as Erik van Lieshout and Erwin Wurm. Find out more about body and performance arts. The gallery also runs the 'Krinzinger Projekte', which represent new, dynamic talent in various shows. If you can't go to the gallery itself, try and catch them at major art fairs around the world.
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Erected in 1896-1899, the four huge gas tanks were then the first municipal gasworks of this size on the European continent. 1,630 workers a day had to do some very hard work to build these, their architectural and technical standards being the most progressive for gas holders at that time. These monuments of urban industrialization, 70m high each, can be seen from very far away. The gasometers were fully active until 1985. Since then the buildings were transformed into apartments.
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In 1803, Erzherzog Johann built the Tiroler Haus, which was originally used as a farmhouse. In 1920, the last royal cow left the building. From 1921 to 1973 it was served as a restaurant known as Tiroler Garten. This Gasthaus Tiroler Garten was restored and rebuilt as recently as 1997. You can find it just by the upper exit of the Schönbrunner zoo, near the Gloriette. The wooden house was built in the old, traditional way. The corners of the wooden walls are fixed together with dovetails. Inside is also all wooden. The waiters serve in leather trousers. It's really comfortable and full of Old World charm. On the menu is soup with Tiroler Knödel and a children's schnitzel; beer is on tap.
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People interested in topical information about economics and matters sociological or anthropological should visit this museum, which explores the human being and his disposition in a networking society. The aim of the museum, in the sense of its founder Otto Neurath, is to represent the complicated and complex connections of economy and society in a way which may be understood by everybody; the idea of adult education was, in his time (around 1920), very modern. This institution could be described more as a mixture betweeen school and museum than as a museum in the usual sense.
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Connected with one of Vienna's oldest silversmiths (L.Jarosinski & J. Vaugion), Silberschmiede, founded in 1847, is Vienna's Gold and Silversmith Museum. The first floor houses a gold and silversmith plant, presenting equipment and instruments from different periods. The manager of the museum takes the documentation of old and unusual instruments quite seriously. Recommended for the visitor is a guided tour by one of the in-house, former silver or goldsmiths.
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In Süssenbrunn, about 15km from the centre of Vienna, there is an 18-hole, par 72 golf course. The green fee throughout the week is EUR42. In addition, there is a public course with six short holes and here, the green fee is EUR24. There is an indoor driving range and the local golf school offers trial sessions and individual beginner's training. The season goes from March to November. Additionally, you can play tennis or squash and go to the swimming bath or sauna. There is also a 4-star hotel for this course.
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Founded in 1901, this exclusive 18 hole, par 70 course is one of the best in the region. The membership waiting list is about 6-7 years, but fortunately non-members are welcome to play on weekdays for a green fee of EUR62.
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During the 1300s Graben was located at the very edge of the city. Originally a large moat protecting the ramparts, it was filled in later to create a market area. This illustrious commercial history is continued today by an amazing array of stylish shops. Many old, established shops are located here including Schwabbische Jungfrau featuring linens, Habab and Heldwein the illustrious jewellers, and Julius Meinl am Graben with the finest in gourmet foods. Viennese Meissen porcelain is carried at Albin Denk. For the Persian carpet of your dreams, look no further than Adil Besim with some unrolling to gargantuan proportions. Men and women's fashions can be found in numerous boutiques, offering everything from tailored business suits to chic sportswear. To restore flagging energy, stop in one of the charming open-air cafes and indulge in a luscious cream pastry and rich coffee while gazing at the architectural confections that surround you.
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Vienna is known for its famous heurigen restaurants, traditional taverns serving local wine and hearty food, often accompanied by live Viennese music. The district of Grinzing is full of such establishments, most of which are beautifully preserved and lend the whole district a magical feel. Authentic heurigen taverns hang a branch of pine above the door to indicate the sale of home-made wine. Traditionally, these taverns were small, intimate and great value for money. Fortunately, this still rings true today. Numerous vineyards are located nearby and make a great place for a walk. Follow in the footsteps of Franz Schubert and Ludwig van Beethoven who both found inspiration in the (then unspoiled) surrounding nature. Composer Gustav Mahler is buried in Grinzing Cemetery.
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Most of those who visit Vienna visit the world famous St.Stephen's Cathedral. The Haas Haus, right opposite the dome, is also well known - you simply cannot miss it! The Austrian architect, Hans Hollein, designed the new structure of the building, formerly used as a furniture and interior decorating store by Philipp Haas & Sons, who gave the building their name. During its planning and construction, the project came under much discussion and scrutiny, which is usual when new architecture is planned in an old part of city centre. A mixture of office and retail, with a café and an expensive (but great) penthouse restaurant has calmed the Viennese folks' ire caused by the cylindrical house with its mirror facade.
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The Museum of Military History lies outside central Vienna and was designed by Theophil Hansen and Ludwig Förster. After the revolution of 1848, Emperor Franz Joseph I built the Arsenal to prevent Vienna's common people getting arms to fight the authorities. Today, visitors to the Arsenal can find a collection of historical memorabilia, arms, flags, uniforms and paintings of battles. These trophies give an overview of the development of Austrian military life since the beginning of the 17th century.
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The square where the Heiligenkreuzerhof now stands was once, in 1030, the site of a merchants settlement. This was the home of many exporting merchants. As an estate surrounded by sturdy walls, it lay outside the Roman town fortifications. Allegedly, the free-standing buildings which from the 12th Century had been in the hands of the lower Austrian Cistercian order of the Heiligenkreuz 'Holy Cross' were only converted into a single construction after 1547. Its chapel is dedicated to Saint Bernhard and is one of the most beautiful baroque chapels standing in Vienna. Visits are only conducted with guides.
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The Heiligenstädter Pfarrplatz, with its old church of St. Jakob and small houses, is quite romantic. It's lovely to take a walk along the small roads there. Near the famous Mayer am Pfarrplatz, whose wines are recommended in the Gault Millau, there are plenty of taverns (in Probusgasse), which are well worth a visit. A variety of guests visit here, both tourists and locals.
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Heldenplatz (Heroes Square) will go down in history as the scene of Hitler's speech to hundreds of thousands of cheering Austrians after the 1938 Anchluß or annexation which confirmed Austria as part of the Third Reich. Visit this huge windswept area after dark when the Neue Burg, the last addition to the Hofburg, is illuminated for maximum historic thrills. There are two magnificent equestrian statues of Prince Eugène of Savoy and Archduke Karl. From Heldenplatz there is access to two of Vienna's finest city parks—the Volksgarten and the Burggarten.
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To the west of the city lies the delightful Lainzer Tiergarten, a large park-cum-animal reserve where the famous Lippizaner horses spend their summer holidays. In this rural idyll, Franz Josef had the Hermesvilla summer house built for his unhappy wife, Empress Elisabeth, the Princess Diana of her time. Constructed between 1882-86, this rather gloomy house did little to cheer up the depressed Empress and she rarely stayed there. Today, exhibitions are occasionally held on the grounds here, and there is a pleasant café to rest after a walk in the woods.
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The rather boring exterior of this museum does not in any way reflect its contents. Its time of construction was, rather clearly, after World War II. The subject matter of its special exhibitions is always specifically Viennese, with connected themes, and these exhibitions are recommended to visitors. The collection in the museum shows a detailed summary of the development of Vienna from its beginning in prehistoric times to the present, all illustrated by plans, maps and artifacts. Important Viennese personalities such as Adolf Loos or Franz Grillparzer; paintings by Klimt, Schiele, and Biedermeierpainter Waldmüller make the tour through three floors very interesting. Admission: EUR3.
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The huge Hofburg (Court Palace) is the most important secular building in Vienna, once the center of the powerful Habsburg Empire. The old Hofburg, with its many different sections and courtyards, was built (and renovated many times) between the 13th and the early 19th centuries. The Neue Burg (New Palace) was developed in the late 19th and early 20th centuries, despite the dwindling power of the Habsburg Empire. Today, the Hofburg is home to various museums (Völkerkundemuseum, Schatzkammer, Nationalbibliothek, Albertina, Theatermuseum, Prunksaal, Lippizanermuseum, Spanische Hofreitschule and Kaiserappartments) and the library, as well as the offices of the Austrian President.
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Whoever is interested in details of Imperial life should not miss a visit to the impressive Imperial Porcelain & Silver Collection. The largest silver service here can take care of 140 guests. The royal kitchenware used in a private household would even impress the parents-in-law. Plates painted with panoramic views, goldsmiths' work, china from the Far East, splendor and pomp wherever you look. A meal at the Imperial Court was clearly a serious affair of state, as we can now see.
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The fountain at Hoher Markt was commissioned by Karl IV in 1732 to fulfill a vow of gratitude taken by Emperor Leopold I, marking his thanks for the safe return of his son Josef from the siege of the Palatine fortress of Landau. The monument was designed by Fischer von Erlachs and was constructed using marble and bronze. The elaborate Anchor Clock at house number 10-11 was designed by the Viennese sculptor and painter Franz von Matsch. As the hand strikes the hour, figurines of famous Austrians appear from inside the clock and march across its face. At midday pairs of figurines appear from within their glass and mosaic casing and perform a traditional dance.
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Love it or hate it, this brightly colored, off-centre, eco-minded transformation of a drab council block by Austrian hippy artist Friedensreich Hundertwasser in Vienna's Third District is now as much a tourist attraction as the Hofburg or Stephansdom. By declaring war on the straight line and pledging to repay a debt to nature, Hundertwasser covered the facade in a chequerboard of primary colors, added onion domes and ceramic cladding, and planted lawns and trees on the rooftops. Inside, the 50 flats were given the disconcerting feature of undulating terracotta floors. Don't miss the nearby Kunsthaus Wien, another Hundertwasser transformation, housing a permanent collection of his art.
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Originally built in 1620, this Baroque-styled Roman Catholic Church is certainly one of Vienna's most ornate in décor. In the very early 1700's the Italian architect, Andrea Pozzo, redesigned the church and sculpted it into what you can see today. The pulpit features the Apostle Matthew in amazingly beautiful detail, the sanctuary is decorated with marble columns, intricately carved pews, and a spectacular domed and painted ceiling. This is a must see for all those who adore religious architecture and art!
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The Hauptallee, situated between Praterstern and the Lusthaus, is the ideal place for a jog. It is also part of the Vienna Marathon course which takes place every May. If you prefer running through the countryside, you only have to turn off the main road and run along one of the small paths which wind their way through the forest. The ancient trees, rivers and meadows are the perfect antidote to the hustle and bustle of city life.
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Among the numerous tributes to Viennese musicians that are liberally dotted around the Stadtpark, none are as artistically successful or as often photographed as Edmund Hellmer's 1925 Strauß Monument. Dedicated to the "Waltz King," Johann Strauß Junior, this delicate gilded statue perfectly captures the movement of his frenzied violin playing. At night, the illumination shows up the naked nymph-infested stone arch in the background. This is the classic Vienna snapshot—don't go home without one.
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In 1785, Emperor Joseph II ordered life-size, anatomical wax models of the human frame for his army surgeons because he was concerned that they should improve their medical knowledge. Anatomical studies on human bodies were not so usual then. Practical knowledge about the make up of the body under the skin was not really developed. As well as the wax models, one can see medical instruments, photos and some texts (read all about dissection of the eyeball); a little bit bizarre perhaps, but nevertheless very interesting. This collection is housed in a building designed by Isidore Canevale around 1780.
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The Ottakringer Jubilee observation point, which was erected in 1899 from designs by architect Karl Hoegler, stands somewhat hidden in the depths of the Wienerwald (the woods of Vienna). So much so that a great deal of the citizens of Vienna are not sure of its whereabouts. However, once visitors have made the effort to climb the 183 spiralling steps and seen the fantastic view of the city and the forest, they always return. Special notices on the platform (at a height of 31.11 metres) offer descriptions of the things to be seen. On a clear day, it is even possible to make out the Oberoesterreichische Traunstein which lies 183km away, or the weisse Karpaten at a distance of 126km!!
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As the name suggests, this was the site of the city's first Jewish ghetto dating as far back as the 12th century. It remained at the heart of the Jewish community for centuries and is now, appropriately enough, the site of a controversial Holocaust Mahnmal, a giant concrete cast of a library designed by the British sculptor Rachel Whiteread. Originally earmarked to be unveiled in 1996 on the 58th anniversary of the Kristallnacht, the monument provoked opposition from local residents and traders because the area was previously used by them as a car park. Matters were further complicated while digging the fundations for the memorial by the discovery of some smoke-blackened remains of a medieval synagogue burnt to the ground during the pogroms in 1421. The memorial was nevertheless given the go-ahead, while a new museum situated in the Misrachi-Haus, a Jewish cultural center at No. 8, will give access to the archeological remains.
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Since 1993, Vienna's Jewish Museum has been housed in a building which has existed since the Middle Ages. It was redesigned in the neo-classical style in 1823 by the Jewish Banker, Bernhard von Eskeles and named after the co-founder of Austrian's National Bank. In the 19th century, artists and intellectuals came in and out of this house. The museum documents the history of Jewish people in Vienna, which has not always been peaceful. The tally of Jews now in Vienna is about 7,000, compared with 185,000 before 1938. It's interesting to note that the world's first Jewish Museum was established in this city in 1897. Parts of the collection of art as well as elements of the archives of Vienna's Jewish Community are exhibited. Temporary displays present aspects of Jewish history and contemporary art.
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One of the most popular places from which to admire the view of Vienna is Kahlenberg (484m), the higher of the two hills that rise to the north of Vienna close to the Danube. A viewing platform and a cafe with a magnificent terrace and very Viennese (and therefore always slightly grumpy) waiters are perched at the top. The entire place is overrun by coachloads of tourists each weekend (which explains the number of souvenir stalls), but it is definitely worth visiting for the stunning views. Those with the time will also discover some rambling hiking paths in the area.
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The Imperial Palace was the residence of the Habsburg Emperors until 1918. Today, it is home to the offices of the Austrian president. Parts of the palace are accessible to the public, among them the former Imperial Apartments. The rooms in this part were the private rooms of Emperor Francis Joseph I and his wife, Emperor Elisabeth. She was fondly called Sisi and it's no surprise that the rooms where she lived are called Sisi's rooms. In fact these rooms are major crowd-pullers. They are as opulent as one might imagine, decorated with stuccoed work in rococo style, valuable tapestries, crystal chandeliers and filled with fine furniture. The audience hall and the conference room are also open to the public; the latter was where the Council of Ministers and the Crown Council met.
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For men only is this exotic sauna called "Kaiserbründl" (the emperor's fountain), situated right in the centre of Vienna in quite an inconspicuous block of flats. The newly renovated and extended 110-year-old sauna, which has been kept in its original Arabian architectural style, transports its visitors back to "Arabian nights". There is a Finnish sauna, a "biosauna", a steam bath and a cold pool to cool you down after a good sweat. You can also refresh yourself in one of the two bars within the sauna.
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The monument to Empress Elisabeth, built by public subscription in 1907 nine years after her death at the hands of an Italian anarchist in Geneva, lies in a rather melancholic garden of rememberance in the Volksgarten. Hans Bitterlich and Friedrich Ohmann's subdued monument was conceived and built before the Sissi industry got off the ground. These days here image is used to sell all manner of souvenirs and she has also been the subject of a rather mawkish musical which was a box office smash in Vienna in the late nineties.
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Ornately decorated on its interior, the Kapuziner Order has provided an impressive and interesting attraction for sightseers, but even more fascinating is the crypt located below the church. Here are the vaults of the Kaisergruft, or the imperial crypts, dating back to 1619 and founded by the Catholic Emperor Matthias. Buried here are 138 Habsburg tombs including the infamous Maria Theresa, her husband Franz Stephan, Franz Joseph, and Empress Zita. Although there is no gift/book shop, one can buy informative pamphlets and crypt guides/plans at either the church or at the crypt. The church is open to the public free of charge, however, the Kaisergruft has more limited hours and costs EUR15 per person, per tour.
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When the Social Democrats came into power at the beginning of the 1920s, they started a social project to construct more buildings in the hope of improving the bad living conditions in crowded Vienna. The Karl-Marx-Hof is an impressive example: more than 1km long, with pinnacles and thick walls for the balconies, it looks like a fortress. At one time it really was a fortress: in 1934, on February 12th, the building was bombarded with cannons. The revolution called for by the Social Democrats, who hid themselves in the Karl-Marx-Hof and tried in vain to prevent the elimination of the democratic institutions in Austria, was quashed.
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This towering baroque construction was built by request of the Emperor Karl the Sixth. In 1713, he resolved to commission the construction of a church, if the terrible plague epidemic should cease. Once the epidemic had been stamped out, Vienna's most magnificent baroque church was duly erected, according to the designs of architect Johann Fischer von Erlach. The dome-shaped roof, which stands 72 meters high, is reminiscent of Roman designs. The interior of the church benefited from the work of distinguished baroque artists such as Johann Michael Rottmayr, Sebastiano Ricci and Lorenzo Matielli. The area directly in front of the church was renovated during the 70s. The new designs included a sculpture by Henry Moore and a pond.
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This is one of the most beautiful art nouveau constructions, and it stands in the middle of Steinhof Psychiatric Hospital on the Baumgartner Hoehe. One can easily spot the particular green dome from a considerable distance; it was built by Otto Wagner between 1904 and 1907. However, it was a different designer, Koloman Moser, who submitted the designs for the glass mosaic work that is to be found in the windows of the church. The magnificent interior design, dominated by white marble and gold, is only viewable up close on Saturdays at 3pm, when a guide leads a tour of the church.
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With a magnificent view of the copper dome of the Michaelertor entrance to Hofburg, the pedestrianized Kohlmarkt is the Vienna equivalent of Bond Street, home to the likes of Gucci, Cartier and Dunhill. Apart from these temples of top class consumerism, there are also shop fronts designed by some of the leading names of 20th century architecture such as Adolf Loos's modernist Manz bookshop, Max Fabiani's Jugendstil Artariahaus housing, the Freytag & Berndt mapmakers and two shops by leading contemporary Austrian architect Hans Hollein at nos. 7 and 8-10. Not to be missed either is the Demel at no. 14, pastry cooks to the Habsburgs.
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Established in 1991, the building itself was converted from the Thonet Brothers' furniture factory, built in 1892. One of Vienna's most famous modern artists, Friedensreich Hundertwasser designed this museum/art gallery and filled it with his beautiful and colorful paintings. There are also several international exhibits that change regularly, so you may want to visit over and over again. There is a large museum shop with fabulous artwork and other souvenirs. Of the four floors, the second is dedicated to the works of Hundertwasser, the third and fourth floors contain the international exhibits. On the ground floor, there is the shop and the large and beautiful Im KunstHaus cafe and restaurant.
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Designed and built at the end of the 19th century by Gottfried Semper and Karl Hasenauer, the Kunsthistorisches Museum houses the Habsburg family's art collection, widely regarded to be one of the finest in Europe. The Picture Gallery is literally a Who's Who of the old masters, containing works by the likes of Rubens, Rembrandt, Vermeer, Dürer, Raphael, Tizian and Velazquez, as well as a comprehensive collection of paintings by Breugel. One visit is hardly enough to take everything in - lots of people return for a second or third time. The Ephesus Museum - a collection of arms and armour - and the collection of ancient musical instruments in the Imperial Palace also belong to the Kunsthistorisches Museum and are worthy of a visit in their own right.
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This historical building, which stands on the Karlplatz next to the equally as famous Musikverein building, was set up as a center for social events and the display of exhibitions for the oldest artists' organization in Vienna. After 1945, it was gradually adapted into a modern exhibition hall for larger collections. The Künstlerhaus Cinema, with a capacity of 280, was established here in 1949. It shows almost exclusively films of artistic interest, but there are also notable film festivals (Viennale) that regularly take place. Special showings in the form of matinees are a further focus point of the viewing program, as is 'Die Theater' that includes smaller productions.
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The Lainzer Tiergarten is a zoo only in the strictest sense; there are animals to see -- bucks, roe-deer, and wild pigs wander freely across the grounds -- but you'll also run across locals just looking for a bit of peace and quiet in this 2500 hectacre nature preserve. Once the exclusive hunting grounds for the imperial court, this beautiful preserve is now open to everyone, offering endless trails to explore, and a bit of back-to-nature relaxation for the city-weary traveler.
Be sure and check out the excellent view of Vienna from the Hubertuswarte, an observation tower built in 1927. Refreshments after your walk can be found at the nearby restaurant Hirschgstemm. Hermesvilla, a small mansion located near the Lainzer Gate that was built by Emperor Franz Joseph in 1882 and now serves as a museum, frequently hosts various exhibitions organized by the Museum of History.
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Viennese folk like to make excursions or sports in the Prater. They are allowed to do this since Joseph II kindly opened the area to everyone in 1766. Before it was a hunting ground for the aristocracy. If there is enough snow, you can make a walk on cross country skis, only a few stations away from the Center, the Stephansplatz. You follow the Hauptallee to the Lusthaus, and then back. The flat ground allows you to find a good rhythm. Alas, no ski rental.
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Since the late 16th Century, the world famous Spanish white horses, the Lipizzans, had been bred from Lipizza in Slovenia. Nowadays, the permanent home of these splendid horses is in Piber, in the Austrian province of Styria. People who don't want to travel so far can take a look in the newly opened Lipizzan Museum, situated in the former imperial pharmacy in the first district. The exhibition looks back at the history of the Lipizzans with paintings, drawings, photographs, engravings, riders' uniforms and video-clips, which illuminate the world of haute école. Through big glass windows, visitors can have a look at the horses' stables, and it is also possible to buy tickets for training sessions at the Riding School.
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There are many good reasons to visit the House of Literatur, which was opened in 1991. The house comprises different wings with different activities, all dealing in a way with literature. Of course, there is a big library, which is open to the public, one part of which documents newer Austrian literature. Temporary exhibitions show aspects of the work of Austrian or international poets, or some special field, and there are presentations, readings, concerts, symposiums etc.
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Adolf Loos' infamous 'house without eyebrows' a reference to his refusal to adorn its window bays with stucco caused a major scandal in its day. Built 1909-11, the minimalist house incurred Franz-Josef's wrath and he subsequently ordered the curtains to be permanently drawn on the Michaelertor side of Hofburg. While today it's difficult to imagine what all the fuss was about, it is still possible to marvel at the superb modernist fittings, designed by Loos himself for the Wiener Werkstätte, as the building is now owned by a bank.
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If you fancy a hearty walk through Vienna's largest park, the Prater, make the sexy-sounding Lusthaus your destination. Located at the southern end of the Hauptallee (main avenue), the present Lusthaus (or pleasure pavillion) dates back to 1782 when it was renovated after serving as a hunting lodge to the Habsburgs. Today it is a rather stuffy café-restaurant catering for Sunday strollers. Check out the nearby Freudenau race course with its superb 19th century grandstand.
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Named after the Maltese Order, this church was built during the 14th century and is dedicated to St. John the Baptist. Malteserkirche reveals traditional architecture rich in Gothic, Baroque and Classisism elements. Besides it's awe-inspiring interior decor, visitors can enjoy musical performances featuring the works of such greats as Mozart, Bach and Haydn.
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This Gothic church dates back to the late 14th century and is fascinating for history buffs. During Napoleon's occupation of Vienna, his army used the church as an arsenal and for horse stables. The church was renovated in the 19th century. The interior contains large stained-glass windows that still carry fragments from the original windows, as well as two High Gothic panels from 1460 that depict the Annunciation, the Crucifixion, and the Coronation.
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The oldest parts of this church were built in the 13th century. Michaelerkirche was at one time the court's parish church. Baroque statues of fallen angels adorn the porch, which was built in 1724-25. The church includes a crypt where parishioners from the 17th and 18th centuries can be seen in their burial garments, frighteningly well preserved. You will also find frescoes and an extremely ornate organ (1714).
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The Fashion Collection is part of the Historical Museum of the City of Vienna, and by definition not a museum but a collection. The main point is fashion produced and worn in Vienna, although Vienna's importance to the world of fashion nowadays is of no real account. Models from the 18th century are displayed in the rooms of Schloß Hetzendorf. About 18,000 pieces and a huge, specialised library can be visited in this, perhaps the biggest fashion collection in Europe.
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The Burggarten is popular these days due to the reopening of the Palmenhaus as a swish bar/restaurant. However, this small park beside Hofburg has always attracted its fair share of vistors, keen to have their photo taken before the Mozart Monument. Created by Viktor Tilgner in 1896, it originally stood on Albertinaplatz before being moved to the Burggarten in 1953. Wofgang Amadeus poses rather preciously on a plinth bearing scenes from Don Giovanni, representations of his father and sister and a host of adoring cherubs.
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From late September, 1784, through to the end of April, 1787, Wolfgang Amadeus Mozart and his family lived in this charming baroque home behind Stephansdom. During that time, he worked on
Le Nozze di Figaro, giving the museum its common name, Figarohaus. On the third floor, you'll find a sparse reproduction of Mozart's living quarters--sparse because the museum seems committed to using only furniture actually in Mozart's possession. The other two floors hold exhibits of a more general nature, discussing Mozart's work, of course, but also music and opera in general. There is also a back entrance that takes you into the charming inner courtyards of medieval Blutgasse, for a casual stroll and visit when you've exhausted your Amadeophilia.
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Built in 1868-71 by Heinrich Ferstel, the Museum of Applied Arts is the oldest and one of the best museums of its kind in Europe. Its permanent collections are displayed in a series of exhibition halls, each of which has its own unique style (Renaissance, baroque, oriental, art deco). The design and architecture room contains pieces by some of the 20th century's greatest designers, while the 'Studiensammlung' contains fascinating studies of different materials. Visitors will need a whole morning or afternoon to be able to take everything in properly and definitely shouldn't miss the museum café.
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The field of the exhibitions in the Austrian Folklore Museum is the human being and his relationship with nature and the environment, and to his history and social order. Various Austrian regions, their lifestyle, secular and religious rites and their costumes are presented in displays of objects from everyday life. The museum was established more than a hundred years ago, and therefore it also talks about the changing times.
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Once a majestic home for the Viennese imperial horses, the MuseumsQuartier now houses an impressive array of attractions, from world-famous museums to shops to cafes. The quarter is widely considered to be one of the world's top cultural centers. For example, as you proceed through the vaulted main entrance, the Museum of Modern Art (MUMOK) will be on your right and the Leopold Museum of art will be on your left. Both the Leopold and MUMOK collections span five floors of the building. For kids who seek reprieve from museums that cater to grown-ups, visit ZOOM Kindermuseum where touching the exhibits is actually encouraged for a change. Other attractions in MuseumsQuartier include Architekturzentrum Wien, Tabakmuseum, Tanzquartier Wien, Kunsthalle Wien, math.space, and Dschungel Wien.
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The famed Vienna Philharmonic Orchestra calls Musikverein home. Just like the renowned musicians who fill the building with music, the architect who built the music hall was a virtuoso at his trade. He engineered the music hall with a roof detached from the walls to promote better vibration, and he built a room beneath the hall that is also detached for the same purpose. The New Year's Day concert is usually televised worldwide, and tickets for the concert are nearly impossible to snatch up. A better bet is to purchase tickets for a regular Saturday or Sunday show; standing-room tickets or seats at the back of the parterre, which have an excellent view, are usually available.
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Does eating, shopping, and people-watching sound like fun? The Naschmarkt is a veritable local culture and culinary consumer menagerie. Strolling through the seemingly endless line of open-air food stalls, you can find a variety of ethnic cuisine--either prepared or just the ingredients--as well as wine, meat, fresh fruit and vegetables, and juice bars. The prices vary as widely as the food vendors, from very expensive to very affordable. The end of the Naschmarkt segues into the flea market, for even more eclectic shopping and treasure hunting.
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This Museum is the second of the two "sibling" museums at Ring Boulevard and was built in the same style as the Museum of Fine Arts, according to designs by Gottfried Semper and Karl Hasenauer. The vast collection in this huge building houses objects of interest in the worlds of minerology, petrography, anthropology and prehistory. There is also the Saurians Hall and models of big animals. A children's corner offers videos and exhibits to play with and investigate, which is a bit like heaven on earth for both parents and children. Space to move and touch is not usual in museums, which are often rigorously policed by the museum wardens.
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Obviously there are still quite old things to discover. In 1979 the frescoes of a medieval hall from about 1400 were found by renovating an apartment in the 1st district. Belonging to the Historical Museum these paintings are open for visitors since 1982. The oldest secular wall paintings in Vienna are illustrations to songs by the famous bard Neidhart von Reuenthal.
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Home to dozens of wonderful taverns ('Heurigen'), Neustift is a great destination for a relaxing day trip. Founded in the early 14th century, the atmospheric medieval village lies on the edge of the lovely Wienerwald forest. Before trying the local brew visitors should take a walk along the 'wine trail', past several vineyards and ancient taverns.
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The clue is in the name: Nußdorf (nut village) got its name from the many walnut trees that grow here. If you don't want to go straight to a tavern, you can take a walk up the very romantic Beethovengang or down to the Danube. The smaller houses here are reminiscent of this place in former times; this is a suburb of Vienna, which became a part of the city just 100 years ago. The Viennese like to visit the taverns here because of their pleasant atmosphere.
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Amongst the museums of Vienna, the Oesterreichisches Film Museum is a very special one. At the heart of the Austrian Film Museum is nothing more exciting than a black cube and a screen. You can see films, films, movies, films and more films in their original format and versions; Chaplin, Laurel and Hardy, the works of Hitchcock, Fritz Lang, Légers Ballet Méchanique.
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The Belvedere Palace, designed in baroque style in the early eighteenth century by Johann Lukas von Hildebrandt for Prince Eugene of Savoy, is home to the Austrian Gallery. The Upper Belvedere houses pieces of Austrian art from the 19th and 20th centuries. The remarkable collection contains paintings by Ferdinand Georg Waldmüller, Hans Makart, Oskar Kokoschka, Egon Schiele, Gustav Klimt, Richard Gerstl and many others. The Museum of Medieval Art and the Baroque Museum are situated in the Lower Belvedere. Romanesque and gothic wood sculptures and altar panels and a comprehensive collection of works by Maulbertsch, Messerschmidt and Donner can be visited in the splendid summer residence of this former military commander. After visiting the Museum, don't miss a walk through the elegant parks and also the Alpine Gardens.
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This structure was built by Joseph Emanuel Fischer von Erlach between 1723 and 1735, according to a design by his father Johann Bernhard Fischer von Erlach. Both names represent the highest quality in architecture and the Grand Hall of the National Library is said to be the most beautiful library room in the world. Don't miss visiting Grand Hall, with frescos by Daniel Gran and the historical Reading Room with frescos by Johann Bergl. The National Library's Museum of Globes is also open to the public. To imagine what imperial entertainment such as dances or masquerades were like, take a look into the ballrooms. Such imperial splendour should be enjoyed in a calm and relaxed mood.
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The sturdy-looking Austrian National Bank was built by Leopold Bauer, a pupil of Otto Wagner's, and finished in 1925. During the four-power occupation of Austria after World War II the building was used as the US administrative HQ. In fact the ninth district and most of north-west Vienna was the American Sector and their embassy is located in the nearby Boltzmanngasse. A spectacular modern building has now been erected beside the neighbouring university campus with new printing facilities.
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The Austrian Theatre Museum is situated in Vienna's first remarkable baroque palace, built in 1683 and designed by G.P. Tencala for the Dietrichstein family. The building was later owned by the noble and generous Lobkowitz family. Since 1991, the doors of this splendid palace have been opened to visitors by the Austrian Theatre Museum. The Museum owns a huge, international collection of stage dioramas, costumes, props, photos and drawings. There are about 1.5 million pieces of theatre memorabilia, among them a collection of manuscripts by the writer Stefan Zweig. After a visit to the museum, ask about the annexe on Hanuschgasse, which houses memorial rooms of the composers, writers and performers who greatly influenced Austrian Theatre (for example Max Reinhardt, Caspar Neher, C.M.Ziehrer, Hermann Bahr).
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On the northern side of Karlsplatz, opposite the Künstlerhaus, lie Otto Wagner's two modernist U-Bahn pavillions, built at the turn of the century. Originally located either side of the neighbouring street, they look a little forlorn today amidst the chaos of Karlsplatz, but on closer inspection, they bear all the hallmarks of Viennese Jugendstil or Art Nouveau: the use of modern materials such as steel, aluminium and glass, organic motifs and luxurious gilding. You can take a coffee in one of them and admire the original fittings. The other is used as an annexe of the nearby Historical Museum of Vienna.
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Owned by the Royal House of Auersperg, this breathtaking palace has hosted numerous classical concerts and operas along with high-society galas and events. Highlights include a private performance of Mozart's opera Idomeneo in March 1786 and the wedding of Sweden's King Gustav Adolf's grandaughter and King Albert of Saxony. The palace continues to be a magnet for classical music conoisseurs and other visitors from around the world.
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Situated on the south side of Rathausplatz, this edifice designed by the Danish architect Theophil Hansen, is one of the most striking examples of the Ringstrasse era's architecture. From street level, it is difficult to see past the giant Corinthian portico and its accompanying wings and pavilions. Stand back, though, and it becomes clear that the main body of the building—home to the Bundesrat (Federal Council) and Nationalrat (National Council) of the Austrian parliament—is mostly hidden behind the projecting facade. Between the two ramps, decorated with Roman horse-tamers and seated historians, stands a gargantuan statue of Athene, Goddess of Wisdom. She presides over a fountain served by four writhing mermen, representing the rivers Danube, Inn, Elbe and Moldau.
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In 1679, between 75,000 and 150,000 citizens of Vienna fell victim to the devastating plague epidemic. Once the crisis was finally over, Emperor Leopold the First decided to have a memorial built to remember those who were lost. A distinguished group of sculptors and architects, amongst them Matthias Rauchmiller, Ludovico Ottavio Burnacini and Johann Bernhard Fischer von Erlach, set to work on this monument that was finally completed in 1693.
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Modeled after St. Peter's Basilica in Rome, Peterskirche is one of the finest baroque churches in the city. Parts of the church remain from the 12th century; however, most of what you see was renovated more recently in the early 18th century. Notable architect Gabriele Montani assisted with the design. Inside, you'll notice a very decorative pulpit, frescoes depicting the Assumption of the Virgin, regally adorned skeletons of early Christian martyrs, and a sculpture of St. John Nepomuk (1729). St. John was a fourteenth-century priest-turned-martyr when he was tossed into the River Vltava in Prague for not telling confessional secrets to King Wenceslas IV.
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This museum's centrepiece is Bruno Fritscher's collection. In 1930, he acquired a defective sound box and this ignited his continued interest in the significant inventions of his time. Fritscher was interested in the progress of radio-phonographs and gramophones and the work of the genius inventor Thomas Alva Edison, who constructed both the first electric bulb and phonograph. Original apparatus and true copies of the originals demonstrate the technological development of this fascinating chapter of industrialization.
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A wonderful planetarium with a multitude of star-spangling shows! Winter skies, holiday programs, special shows specifically for children, fairy tales, constellations, sea and space, the universe, the environment - the list goes on and on! The repertoire changes by the week as do the scheduled times so you will need to call in advance. You can also learn about other avenues of astrological education such as lectures, seminars, films, books which are offered and/or sold either at the planetarium or elsewhere in Vienna.
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Around the turn of the century, Otto Wagner was one of the most radical architects of his time. In 1894 he claimed a revival of architecture and articulated the opinion that imitation of historical styles cannot be the future of construction. The Post Office Savings Bank on Ring Boulevard, erected between 1904-1906, is one of his celebrated works. Innovative in its design and the choice of materials,